![]() ![]() ![]() Finally, the sound was initially based around Ambient Dub and Dark Ambient electronics interconnected with some atmospheric field recordings – or sounds of the rainforest if you like The green colour scheme was predominant and subject matter was based around the Papua New Guinea witch-hunts murder, torture and sorcery accusations which are still happening today despite sounding unbelievable to the average western ears. ![]() Rainforest Spiritual Enslavement started, or at least got its debut work released, in 2011, under the veil of anonymity but nonetheless striking – not only because of the long (and pretentious?) project name, but also due to track titles whose vividness, form and ‘ambition’ surpassed even the Vatican Shadow ones. Not only did the Vatican Shadow laid his foundational work then, but the rebirth (or recontextualization) of Prurient also took place, as well as the start of Rainforest Spiritual Enslavement – one of his more ‘known’ (whatever that means) projects – central to this article. The ideas written here are by no means final and they are meant to encourage your own research.ĭominick Fernow is a productive man, we all know that, but even to us – who dug deeply into his opus – it’s still hard to process the unhuman amount of excellent work that he managed to create in the first half of the twenty-tens, and most notably between 20. They mostly build off insights found there and serve as a little (more informal) notebook (*cheat sheet*) which helps in contextualizing the artist’s (or label’s) opus with the thoughts presented there. * The Cheat-Sheet is a series of posts which complement the researches presented in the ‘Analysis’ articles. ![]()
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